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Independent school of art & design

Next open daySat 6 March

Gesso

A student painting at an easel in a bright studio
Charcoal drawing of a face
Year 1, charcoal
Abstract painting in red and white
Year 2, oil
Blue linocut print on the table
Year 1, lino

Two-year studio programmes in painting, print, sculpture and photography. Twelve students to a studio, a crit every Friday, and a wall that is never empty.

The school

We teach art the way it is actually made: slowly, by hand, in a room with other people, with honest crits every week. No lecture halls, no online modules. A studio, a wall and a tutor who knows your work.

this is the whole method

  • 12students in every studio
  • 1997the year we opened the yard
  • 60+crits in two years

The crit wall

Pinned up this term

Every Friday each student pins up the week's work. Here is what is on the wall right now. Drag the prints around, the tape holds.

Weather, kept indoorsPetra Lindqvist-Oyelaran
Sitter, forty minutesRafe Abernathy
Overprint, night runImogen Tsai-Barrow
Reclining, side lightOskar Venn
Harbour monoprintDelphine Achebe-Ross
Studio, TuesdayCallum Reyes-Hart
RunAmara Quist
Red room planTheo Okonkwo-Blum

See all The crit wall

A week at Gesso

How a week runs

  1. Mon Studio day

    Long day in your own studio. Tutors walk the room, nobody lectures.

  2. Tue Technique

    One craft, taught properly: stretching a canvas, mixing an etching ground, loading a film.

  3. Wed Open doors

    Every studio is open to everyone. Print students paint, painters cast.

  4. Thu Visiting artist

    A working artist spends the day with you and leaves a brief.

  5. Fri Crit

    Everything goes on the wall. Two hours, everyone talks, nobody hides.

Tutors

Taught by people who still make work

All our tutors keep a studio practice. Most of them have a show on somewhere while they teach you.

Portrait of Ilsabet Moravec holding paintbrushes

Head of Painting

Ilsabet Moravec

Paints very large and very slowly. Shows with a gallery in Antwerp.

“Stop being careful in week one. You can be careful in year two.”

Portrait of Yusuf Achterberg sitting on a stool

Head of Print & Type

Yusuf Achterberg

Letterpress printer and publisher of small, loud books. Has ink under every nail.

“Print thirty. The twenty-ninth is the one you will keep.”

Black and white portrait of Anselm Kreutz

Head of Sculpture & Clay

Anselm Kreutz

Casts in bronze, carves in stone and runs the yard foundry twice a year.

“Walk round it. If it only works from the front, it is a picture.”

Black and white portrait of Noor Sandvik

Head of Photography

Noor Sandvik

Documentary photographer, three books, still prints every one of her pictures by hand.

“Twelve frames on a roll. Make each one cost you something.”

Open days

Come and see the wall

Walk the studios, sit in on a crit and bring a portfolio if you have one. Places are small, so we ask you to book.

  • 6 MarSaturday

    Open day10:00 to 14:00

    18 places left

    Book a place
  • 19 MarThursday

    Evening crit, sit in18:00 to 20:00

    8 places left

    Book a place
  • 10 AprSaturday

    Portfolio review10:00 to 16:00

    Full, waiting list

    Book a place
  • 15 MayFriday

    Degree show preview17:00 to 21:00

    40 places left

    Book a place

The first crit I wanted to leave. By the third I could not wait for Friday. Two years later I still pin everything up before I trust it.

Juno Ashdown · Painting, class of 2024

Applications open

Pin your work up with us

Applications for September close on 30 April. Send a few images of what you make, then come in for a conversation.